
Whether you look like them or not, you find something that you can identify with. Because these are everyday people, right? These are situations that people go through. That, for me, is what drew me in to Power. They were relatable people could identify with them. The reason the show was such a huge success is really the actors and the way that they were written, with all of the characters that made people react to them. I had been familiar with the Power franchise, and I was already a huge fan of Courtney Kemp-what she’s been able to do with the Power series, her writing, the way that she’s able to give all of these characters such distinct, multilayered voices. What was your first impression of Raquel Thomas’s character in Raising Kanan ? But, at the basis, I knew I could rely on my training. And both mediums are very different from theater.

I gained a lot of tools from my theater work. Being in front of an audience like that, night after night, taught me so many valuable lessons. As an actor, I think we all want to do it all. I’m all about female empowerment, and I’m all about switching things up. It made me excited to know that the leading player role, made famous by Ben Vereen, had been switched to a woman. And I know that, as an actor, she is the type of director that really pushes you she does edgy things. With Diane Paulus, I knew that she was going to make it fun, fresh, and exciting.
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Post- Sister Act, I did Pippin, which led me to the world of TV and film. I made my Broadway debut in 2011 in Sister Act, the musical. What about that training sets you apart from other actors? I want to begin by talking about the start of your career, in theater. And the depth that Miller brings to Thomas’s character makes it clear that she is poised to become television’s next leading lady. With Miller at the helm, the show offers a nuanced and human portrayal of family, intimacy, and grief that feels singular in many ways, and universal in others. And it’s easy to see why- Power feels every bit the prestige drama, worthy of the same accolades of its peers, which receive more chatter online and in the press. Miller is acutely aware of the way in which television shows and films that center Black stories are often pegged as niche, and she thinks the critical reception of the show reflects this reality. Her latest role as Raquel is one that she says embodies what she looks for in the characters she plays: a multidimensional woman who is allowed to be strong and vulnerable at once who is written with honesty and dimension rather than being relegated to a trope, as female characters-especially Black female characters-all too often are.
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Miller is already an industry veteran in many ways, with an established career on Broadway and roles in films like The Hunger Games and the hit television series Madam Secretary. The Tony Award-winning actor leads the latest installment of the Power franchise Raising Kanan as Raquel Thomas, a single mother juggling raising her family and running a drug business during the 1990s in Jamaica, Queens.
